This creates a character that in some ways had a similar background to Jude, but took a completely opposite direction in creating his life. Beyond their merely not liking a film without the requisite level of explosions and CGI . The script is decidedly non-Christian, and places a very different spin on the history, religion and politics of first-century . The specialeffects for the doppelgnger are riveting. (For example, I personally hate being called Christopher! The idea for "Scapegoat" manifested itself sometime in 1994 or 1995, soon after I had received my Bachelor's degree from Binghamton University. (10 reels), The on-screen suspense in The Scapegoat, a 1959 tale of two look-alikes who switch places, was almost upstaged by the off-screen tension between dueling stars Alec Guinness and Bette Davis. French actress Nicole Maurey played Jacques' mistress Bla (the only character who questions the identity swop, in both novel and film . There is plenty of evidence of this "stitch-work" of sources in the Gospel texts. The list of contradictions and differences between the four canonical gospels is extensive, and not worth reiterating here. Although I had previously been familiar with the basic texts based on the life of Jesus of Nazareth, The writing of the screenplay involved literally several years of research, in the form of reading, viewing documentaries and films, and taking several college courses, mostly in the Near Eastern Studies Department at Cornell University. And lastly, if Jude were to see Joshua as a teacher and father figure, Jude would need to have had a completely opposite experience with his own fatherthat is, an unpleasant experienceto make Joshua such an attraction. By what name was The Scapegoat (2012) officially released in India in English? John agrees, but when he arrives at the chateau, is angered when Dr. Aloin does not believe his explanations about Jacques's disappearance and suggests that John is suffering from emotional duress. The only thing we have in our language that comes close in terms of recognizable style and pattern is verse rhyming. Unable to convince them otherwise, without wallet or money, he plays it along and is taken to the lavish manor house of the family, where in short order, he finds out that he has a sad and sickly wife, a young daughter, a married brother, and a glass works foundry on the verge of bankruptcy. The cartoon-like treatment of a lot of the plot elements totally suits the story. I also had to be consistent: I could not use an English version of one name, then a Greek version of another, then a Hebrew version of yet another. Genre: Drama Original. But it has really been the last two waves of drafts (Since November 2002 perhaps) that the screenplay has been "done enough" to be an enjoyable and engaging piece of entertainment and a viable structural skeleton for an actual film. The film of The Scapegoat was released in 1959 and it starred Alec Guinness in the role of John and his doppelganger Jacques, and Hollywood legend Bette Davis as his mother, the morphine-addicted Countess. Scapegoat (Turkish: Gnah Keisi) is a 2011 Turkish comedy film, directed by Cenk zaknc, starring ahin K as a man with a dubious reputation trying to start a new life and win back his estranged son. The pity of it all is that the two were perfectly cast, he as an English schoolteacher and the French nobleman he replaces, she as the nobleman's cigar-smoking, drug-addicted mother. As the film progresses forward he seems to be enjoying his new role. Please contact us if you have any questions or would like more information on THE SCAPEGOAT. The Scapegoat (1917 film), a Frederick Douglass Film Company production based on a story by Paul Laurence Dunbar The Scapegoat (1959 film), an adaptation of the du Maurier novel, starring Alec Guinness and Bette Davis The Scapegoat (2009), a film by BBC Northern Ireland about the murder of Patricia Curran, daughter of Lancelot Curran, in 1952 Can you share it with them? Strolling in town, John wonders about Jacques's purpose for switching places with him, when he is nearly trampled by a horse ridden by an attractive woman, Bela. Sometimes people ask when it will be "done." 2023 Turner Classic Movies, Inc. All Rights Reserved. The whole point of the original story had gone." (from Alec Guinness: The Authorized Biography by Piers Paul Read, Simon & Schuster). [1] Contents 1 Plot summary 2 Cast 3 Plot 4 References 5 External links Plot summary [ edit] This section needs expansion. Another television documentary, this one is geared to a more layman's audience, and its conclusions are softened and reduced for mass appeal. All of our visual depictions and representations of crucifixion are loosely based on what is written in the Gospels. The spiritual philosophies that run through the screenplay may be taken by the audience as literal or metaphorical, and it makes no difference to me. Bloxham School PipPhilipPhilippos . I love that this movie used every moment to tell the story--without needless, lewd sex scenes or other drivel. Throughout the process of writing dialogue, I was constantly attempting to keep all of the language extremely conversationalnot speechy or preachy, but just people talking to one another. The character of Simon Peter was a challenge. Glad I finally was able to see this great film from 1959 with a great performance by Alex Guinness, (John Braratt/DeGue) who plays a duel role and is completely outstanding in his great acting abilities. He also teaches video editing and other filmmaking skills at various local colleges and schools. The one thing Davis truly enjoyed about playing the role was the chance to do most of her scenes in bed. The film is based on Daniel Pennac's eponymous book. ), The name "Jesus" is derived from the ancient Greek "Iesus," pronounced "Yeh-sus." Later at the foundry, when pressed by the workers, John acknowledges that Jacques has not renewed their major contract. The story is tight and well shot. In addition, twisting the lower body puts more of a strain on the diaphragm to breathe, therefore making the crucifixion process more painful. "Au bonheur des ogres (2013) - JPBox-Office", "The Scapegoat (Au bonheur des ogres): Film Review", https://en.wikipedia.org/w/index.php?title=The_Scapegoat_(2013_film)&oldid=1130468829, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 30 December 2022, at 08:39. (The suffix of s or os is commonly used in the Greek language to connote the subject of a sentence. John is then flustered by the warm greeting from Jacques's young daughter, Marie-Noel, who believes him to be her father. Principal Cast: Alec Guinness (Jacques De Gue/John Barrett), Bette Davis (The Countess), Nicole Maurey (Bella), Irene Worth (Francoise De Gue), Pamela Brown (Blanche), Peter Bull (Aristide). Even most of this data seems to be unlikely, if not downright impossible. Noun endings in Greek are tied with case, but that is another subject) Iesus is derived from the Aramaic "Yeshua," which is in itself a contraction of the fuller Hebrew "Yehoshua," which basically means "the Lord saves," or "the Lord helps.". Relieved to find Bela sympathetic, John tells her about himself and the strange meeting with Jacques. You can help Wikipedia by expanding it. She preferred to lie in the bed between scenes while the crew lit her. Davis put a lot of work into her performance, but somewhere between filming and release, most of that work was cut, which gave The Scapegoat a choppy and unbalanced continuity. The website has a massive amount of information as wellhundreds of pages worth examining. In the process of forming the narrative structure and character development for the script, I did not merely utilize the Christian New Testament; I drew heavily on other non-traditional text sources, including and especially excerpts from the Nag Hammadi Library, within which is an impressive collection of "alternate" Jesus narratives, depictions and teachings. None of them ever worked together again. Cookie InformationPrivacy Policy. Although these two could have made movie magic had they met as equals on the right project, when Guinness brought her into a pet project of his, the clash ended up contributing to the film's box-office failure. Sign in to log, rate or review. And indeed, for a time, I almost wondered if the whole thing was a joke or leg-pull, just to see how the story would seem if it was played as a farce. This was a very troubled production. But nevertheless it has some terrific information, and has an interesting narrative flow, given the material that they attempt to cover. Most of the names we associate with New Testament characters are Anglicized versions of the Greek character names. For several years, Chris has been working with a talented team of voice-over actors, visual artists, and a composer, to build pre-production material in the form of an "animatic" (a moving storyboard) of the entire story. See the pdf of my research paper). By Fall 1999, I was thoroughly immersed in a New Testament course at Cornell University, and the coursework not only propelled me to take even more classes, but also to become consumed in the writing of the script itself. I had even learned some basics of the Ancient Greek language in which the New Testament was written, and continue to delve into the original texts in the redrafting of the screenplay. As attention-grabbing and controversial incidents take place wherever Benjamin Malaussene goes, the cops and his colleagues suspect him. In doing the research, the Jesus depictions that closest fit with the general approach I wanted to take with the storyline was a hybrid between the Jesus from A) the Gospel of Markhuman, angry, self-contradictory, confused, a reluctant leader and teacherand the Jesus depicted in the non-canonical, and B) some assume "Gnostic" (although that is very debatable) Gospel of Thomas, which depicts Jesus as a teacher of general wisdom, as an ascetic, demanding that his students seek their own inner world and inner mind for answers. Does that imply that I believe that this is how things happened? With the help of a maid, John goes through Jacques's suitcase and discovers several gifts, one of which holds several vials of morphine, which the maid promptly takes to the Countess. The Scapegoat is a 1912 American short silent Western film directed by Otis B. Thayer and starring Tom Mix. It takes the comment of the governess to help him see that sometimes, fate takes the reins, and leaves us to run with the results. Spence sees an opportunity to escape a bad business deal, gets Standing drunk and during the night swaps their identities. She entirely missed the character of the old countess, which could have been theatrically effective, and only wanted to be extravagantly over-dressed and surrounded, quite ridiculously, by flowers. To chose one type of character depiction based on one gospel is automatically to exclude a contradicting depiction from another gospel. At breakfast, John meets Jacques's brother-in-law, Aristide, who asks John about business discussions in Paris. I created Jude as a teenager, young, idealistic, nave, and disliked by the others around himthe equivalent of the high school nerd, always getting picked on by the bigger kids. After all, Shimone was his true Hebrew name, and "Peter" was a nickname. I knew that in writing this piece, the problem of language would come up immediately. Then I began to get angry. [5] Home media release [ edit] A region 2 DVD was released on 10 September 2012. Your email address will not be published. Guinness was more circumspect in discussing their relationship, expressing disappointment that they didn't really get to know each other. Thanks! His main skills include digital video editing in Adobe Premiere Pro, Final Cut Pro (4-7) and Avid Media Composer platforms, as well as digital photography, digital audio editing, web design and a variety of other technical skills. However, as ahin K. strives to win back his son, he unwillingly becomes a local hero to whom the entire town turns to get their problems solved. ", In the Case of Simon Peter, I had some work to do. Bridget Boland, who had previously penned the screenplay for the 1955 Guinness film, The Prisoner, was initially hired to script The Scapegoat but after three unsuccessful drafts was replaced by Gore Vidal. The screening was followed by a panel discussion of, the psychological aspects of both the film and novel, with Rupert Towe, and Daphne du Mauriers grandson), Dr Coline Covington (Jungian Analyst), and, Christopher Perry (Jungian Analyst and the panel chair). Just saying. John Standing meets his doppelgnger Johnny Spence and, after a drunken night, they swap lives. This is not accidental, and I was drawing from many philosophies, religions and perspectives when I wrote the story. This film article about a 2010s comedy is a stub. 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